I am a musician, sound designer and performer living in the UK.

I improvise with others, and solo, experimenting and playing with the ‘Cello.
I make theatre & sound for theatre.

Collaborating with people, musicians, artists & performers.
I co-run a visual theatre company called The Ding Foundation.

I started making films in 2020.

I like to pay attention to sounds, experiences, stories, silence, senses and people.

If I'm lucky something special can happen!



CV

PARTICIPATION

Since training at Community Music LTD in 1998 & The Guildhall School of Music & Drama from 1992-'96 until the present, I am honoured to have had a wide variety of roles working with people of all ages, coming from different places, encouraging creative involvement in music, sound making and performance.

I am currently using and inspired by Paulo Friere's 'Pedagogy of the Oppressed' finding ways to put his re-assessment of methods in education, into practice in learning, teaching and participation in creative arts. Putting a process based dynamic dialogue into play through the physical practice of music and instrument learning.

Below is a brief summary of my journey through different kinds of training, for more detail with regards teaching please see the CV below.



Up to date/ongoing CPD in Safeguarding training for children, children in care and vulnerable adults. Enhanced DBS Checked.
2021: Goldsmiths 3 month short course in Field Recording and Soundscape Design.
2021: Ongoing short term training in Trauma Informed Practice for artists - courses given by Kazzum.
2018: Participant in Augusto Boal's 'Forum Theatre for mental health' 3 month course London, working with collaborators of Augusto Boal.
2017: 3 month course -Teacher and student on : City and Guilds Level 3 certificate in 'Education and Training for the life-long learning sector'
2013: Participant in day long CPD training in 'Understanding Autism' through Sound Connections.
2006: Participant in 'Performing Clown & Comedy' intensive 2 week course - Mick Barnfather.
2005: Participant in 2 one-off workshops on 'Logic of object and puppetry movement' workshops with Stephen Mottram -Puppet Centre Trust.
2005/6: Regular participant in Process Oriented Psychology seminars with Arlene & Jean Claude Audergon.
1998: Open College Netwok 1 year intensive course with Community Music LTD - Community Music Tutor Training Course
1995, ’96, & ’98: Student at Porthcawl Jazz Summer Schools.

Organisations I have worked for in a teaching role include: Museum of the Home, White Rabbit, Central School of Speech & Drama, Community Music LTD, Kings Place, Opera North, The Roundhouse Studios, Act for Change, Bristol Plays Music, The Royal Opera House Education Dpt, Youth Music, Hackney Music Service, Eastside Education Trust, The Studio Upstairs, Waltham Forest Arts and Education Service, Tower Hamlets Arts and Music Education Service.


Teaching CV

Excerpts from reviews of performances and recordings:

'Tulse Hill' - solo record with Linear Obsessional:
"BRILLIANT improv pieces for solo detuned cello by glorious Hannah Marshall !!!! - minimal & rhythmic & instant & also eternal !!! - first BC random-hit of the day !!! - there is a god !!!!" -Pyongyang Plastics

The Ding Foundation's 'Wild Life':
"..perfect, sensuous clarity of performance. A heartfelt play, Wild Life serves up a jungle of emotions, the urge to make sure you never fall into the pit of personal abandonment and become stale, a ghost of yourself; for nobody should ever feel that small or insignificant. A wonderful production! Ian D. Hall - Liverpool Sound and Vision

Live performance with John Edwards - Bass & Alex Ward - Clarinet:
"The trio play two long pieces, with every note forged an act of co-operative discovery, every pattern of sound new, transient and fleeting, never to be heard again" Morning Star Online.

'Gratuitous Abuse' by Barrel with Ivor Kallin - Viola & Alison Blunt - Violin:
"...imagine three first class musicians locked up in a time capsule, having associated with various shamans, drunk Romanian fiddlers, Yiddish chant leaders, the serialists, especially Webern. Then folks like Ligeti, Satie, and various Dadaists pop their head round the door from time to time to put in their tuppenceworth. After a few months you let them loose in the 21st century to pick up on the very new....." Fouter & Swick

Halftone with Yvonna Magda - Violin, Tina Hitchens - Flute & Caitlin Callahan - Bass:
"The foursome play an unsettling, absently beautiful post classical music evoking wind in the trees, unresolved conversations and difficulties around corners" – Misfit City.

Wild Theatre's 'Stone Belly':
'...A trance-like hypnotic power, magnified by Hannah Marshall's specially composed score it lured the audience smoothly and effectively into it's world of dreams and memories, a place inhabited by discarded and forgotten things..." Animations Online -Isabel Smith

'Haste' with Ingrid Laubrock - Tenor Saxophone & Veryan Weston - Piano:
"sublime technical abilities, which is marked by spectacular passages of pizzicato and con arco playing. Replacing the absolute bass of the music, Marshall nonetheless shows up with brilliant passages where she reinvents melodic lines, provides spectacular harmonic intervention, and sets the pulse around which much of the music revolves. Together, these three musicians have created an ingenious document where past and present collide revealing a glimpse what might be in a not-so- imaginary future" - Raul de Gama Rose

Live performance with Julie Kjaer - Alto Saxophone & Rachel Musson - Tenor Saxophone:
" a single diaphonous improvisation of heart stopping intensity and quietude that brings the entire room into a tip-toed state of heightened awareness..." Daniel Spicer - The Wire.

Tulse Hill:
"..with 'Tulse Hill' Hannah Marshall has proven herself to be a solo player of imagination and intelligence; recording an album of deceptively simple but very rewarding and hypnotic music. A series of small meals that combine in a feast for the ears and mind." -Michael Holland - Ears For Eyes