hello.............here are some things that people have said:

Tulse Hill:
"BRILLIANT improv pieces for solo detuned cello by glorious Hannah Marshall !!!! - minimal & rhythmic & instant & also eternal !!! - first BC random-hit of the day !!! - there is a god !!!!" -Pyongyang Plastcs

The Ding Foundation:
"..perfect, sensuous clarity of performance. A heartfelt play, Wild Life serves up a jungle of emotions, the urge to make sure you never fall into the pit of personal abandonment and become stale, a ghost of yourself; for nobody should ever feel that small or insignificant. A wonderful production! Ian D. Hall - Liverpool Sound and Vision

Live performance:
"The trio play two long pieces, with every note forged an act of co-operative discovery, every pattern of sound new, transient and fleeting, never to be heard again" Morning Star Online, (about a concert with Alex Ward - Clarinet & John Edwards - Bass)

Barrel:
"...imagine three first class musicians locked up in a time capsule, having associated with various shamans, drunk Romanian fiddlers, Yiddish chant leaders, the serialists, especially Webern. Then folks like Ligeti, Satie, and various Dadaists pop their head round the door from time to time to put in their tuppenceworth. After a few months you let them loose in the 21st century to pick up on the very new....." Fouter & Swick (about 'gratuitous abuse by Barrel with Ivor Kallin & Alison Blunt)

Wild Theatre:
'...A trance-like hypnotic power, magnified by Hannah Marshall's specially composed score it lured the audience smoothly and effectively into it's world of dreams and memories, a place inhabited by discarded and forgotten things..." Animations Online -Isabel Smith

Haste:
"sublime technical abilities, which is marked by spectacular passages of pizzicato and con arco playing. Replacing the absolute bass of the music, Marshall nonetheless shows up with brilliant passages where she reinvents melodic lines, provides spectacular harmonic intervention, and sets the pulse around which much of the music revolves. Together, these three musicians have created an ingenious document where past and present collide revealing a glimpse what might be in a not-so- imaginary future" - Raul de Gama Rose (recorded with Ingrid Laubrock & Veryan Weston)

Live performance:
" a single diaphonous improvisation of heart stopping intensity and quietude that brings the entire room into a tip-toed state of heightened awareness..." Daniel Spicer - The Wire (about Musson/Kjaer/Marshall)

Tulse Hill:
"..with 'Tulse Hill' Hannah Marshall has proven herself to be a solo player of imagination and intelligence; recording an album of deceptively simple but very rewarding and hypnotic music. A series of small meals that combine in a feast for the ears and mind." -Michael Holland - Ears For Eyes

Halftone:
"The foursome play an unsettling, absently beautiful post classical music evoking wind in the trees, unresolved conversations and difficulties around corners" – Misfit City (with Yvonna Magda, Tina Hitchens & Caitlin Callahan)

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